Wednesday 14 September 2011

Reading a Film and Writing a Film review

The film critic Christian Metz has written "A film is difficult to explain because it is easy to understand." We are used to sitting back in the dark and viewing a film uncritically; indeed, most Hollywood films are constructed to render “invisible” the carefully constructed nature of the medium. Further, because a film is constructed of visual, aural, and linguistic components that are manipulated in numerous ways, it is a challenge to take apart the totality of the film experience and to interpret how that experience was assembled.

        Title/opening credits--Titles are chosen carefully--consider alternatives and why this title was chosen; consider ambiguities in the title .The opening credits establish a tone, and often are used to foreshadow events, themes, or metaphors--pay careful attention from the beginning.
        Story/Plot/Narrative--The story consists of all of the information conveyed by the film (either directly or by inference) assembled in chronological order to communicate the overall sense of what occurred in the film. The plot is contructed as the basic building blocks of the story,conveying specific events. The narrative or narration is the process by which story information is conveyed to the
audience through all of the cinematic means listed below. While dialogue provides a good deal of information, pay attention to all the other audio and visual clues that convey information about the narrative.. In considering the narrative structure, note whether the film follows a standard chronological narrative or not and how time is used. What are the key moments and how are they established? What are the climaxes and anticlimaxes? How far ahead is the audience in understanding what is happening to the characters than the characters themselves are? What propels the story forward? What is the pace of the narrative? How do earlier parts of the narrative
set up later parts? Where are the key emotive moments when the audience is frieghtened, enraged,enraptured, feeling vindicated, etc., and how has the narrative helped to establish these feelings?

Motivation--Motivation is the justification given in the film for the presence of an element; it may appeal to the viewer's knowledge of the real world, to genre conventions, to narrative causality, or to a stylistic pattern within the film. Failure to provide proper motivation challenges the sense of "cinematic realism" in a film. (If a character's personal motivation is explained in a film as a reason for his/her action, that falls under "narrative causality." Do not confuse character motivation as revealed through narrative with your own expectations you bring to the film.    Characters are not real people, and do not make choices outside of what is conveyed narratively.
        Characterization--Who are the central characters? How are minor characters used? Are characters thinly or fully drawn, and why? Who in the audience is meant to relate to which characters, and what sort of emotion (fear, pleasure, anxiety) are audience members meant to feel because of this identification? Is there a clear or ambivalent hero or villain? What values do the characters represent, and do they change during the film? Are the characters meant to play a particular “type” and do they play against type at any time?

        Point of view--Is the film in general told from a particular character's point of view, or is it “objective”? Is the film's perspective primarily intellectual or emotional, visionary or “realistic”? Within the film, is a particular shot viewed from a character's point of view ("subjective shot"), and how does the camera technically reinforce the point of view? Who is the audience meant to be focusing on at a particular moment?

Guide Steps for Writing Your Film Review

Contextual Analysis of the Film
Collect information on the movie plot, characterization, director, theme and locations used. Gather information about the story writing, production techniques and background information on the main theme.
Watch the Movie Twice
Before you start off with the review crafting process, you need to watch the assigned movie once or twice. While doing so, you need to make the best use of your sense of observation. Note down all minor and major details roughly on a piece of paper so that if your memory deludes you while gathering thoughts on writing, you can always refer to these keynotes (brilliant idea!).
Analyze the Movie Plot and Main Characters
Next off, spend a few hours analyzing the whole movie from beginning to the end. Sop deeply into the plot of the movie. Do not let your coloured opinions prevail here. Analysis should be done from the perspective of its category (comedy, action, romantic, historical), direction, acting, dialogues, script and quality.
Draft an Outline for Your Film Essay
Now that the pre-writing stage is realized, the real job begins—writing the film review paper. Start by giving a brief introduction of the movie. Apply the basic writing rule here; begin your write up with a catchy phrase or line. I personally recommend that you fire up with a dialogue or phrase taken from the movie which encloses its theme—this is likely to grab attention of your readers.
Get Help from Add-ons and Previous Reviews
You can make your review interesting by making use of analogies and metaphors, comparing plot of the movie to any other movie of similar category, giving dramatic explanations of best scenes or by throwing light on dimensions that add uniqueness to the movie.
Here’s a trap—mostly students read reviews written by critics on the same movie just to get an overall idea of how review writing is done; what they fail to realize is that without conscious volition, they adopt their ideas which are reflected in their paper. Consequently, the review produced is not up to the mark and affect grades.

Film Review Guidelines
Paragraph 1:  Offer your overall impression of the film while mentioning the movie's title, director, and key actors.
Paragraph 2:  Summarize the plot of the film
Paragraph 3: How did the actors portray key character roles?  Did they fulfill your expectations given your knowledge of the original novel or play (if one exists)?
Paragraph 4:  Were any particular film techniques used in key scenes?  How did the film techniques anmd music enhance the setting and themes of the film?  You may need two paragraphs to explain this information.
Paragraph 5: Address how well the film represents the novel or play.  Offer evidence for your opinion. Remember to mention use of symbols and literary devices.  Do they "transfer" from the novel/play into the movie well?
Paragraph 6: Ending paragraph--your last opportunity to guide the reader.  Offer a clincher that tells the reader to attend the film or not.

Tuesday 6 September 2011

vozMe - From text to speech (speech synthesis)

vozMe - From text to speech (speech synthesis)

Literary analysis at high school level.

Students often have difficulty making the leap from comprehending literature to analyzing it. These tips show the interrelationship at play between the two and examples.

Understanding literary elements is a complex process that encourages students to develop skills existing at several levels of Bloom's taxonomy. For this reason, teachers have a wonderful opportunity to scaffold learning experiences using literary elements when teaching fiction. By teaching students to own their knowledge of literary elements, teachers are helping them build a solid foundation of analytical thinking skills.

Defining Literary Elements

Analyzing literature first requires students to understand a variety of literary terms and definitions. Just like a handyman carries around his trusty tool bag, literature students must fill up their own resource sack before getting down to the challenging work of analysis. Therefore, they must know the concrete definitions to an array of literary terms. Be sure to provide students with a comprehensive list of terms they will be expected to know or learn throughout the school year.

Applying Literary Elements

It's important that teachers start out by explaining to students that literary elements are tools that will help them access literature for the rest of their lives. These are terms and concepts that they need to not only thoroughly understand, but also to use and apply to different texts as they progress through high school and college.

Analysis Enhances Comprehension

Consider Sir Arthur Conan Doyle's The Hound of the Baskervilles, a famous Sherlock Holmes tale. This can be a dense text for students to comprehend and, although they are likely to enjoy the suspenseful plot, they may not connect with the language. But when students apply their knowledge of literary elements to such as text, they can more deeply connect with the story, identify the characters, and uncover timeless themes still relevant in today's society. They will start to realize that analysis improves comprehension, and in return comprehension improves analysis. But they must be heartily supported to get there.

Scaffolding Analysis

Ideally, teachers will scaffold the use of sophisticated literary elements in the upper grades with the more concrete, easily understood terms in the lower grades such as
  • indirect characterization
  • direct characterization
  • plot
  • external conflict
  • internal conflict

Literary Elements Diagnostic Testing

One way to ensure your students are mostly on the same page is to administer a diagnostic test assessing their current knowledge of literary elements. You may not be as successful using dictionary definitions here; instead, try incorporating examples into your questions. This way, you are more likely to uncover what students really know but haven't necessarily memorized.

Sample Questions

Here are two sample questions that illustrate the idea that comprehension enhances analysis.
1. Who is being described in the following quote?
“ . . . he had contrived, with that catlike love of personal cleanliness which was one of his characteristics, that his chin should be as smooth and his linen as perfect as if he were in Baker Street” (178).
A. Dr. Watson
B. Mr. Barrymore
C. Sherlock Holmes
D. Mr. Frankland
2. In the above quote, what literary element is being applied?
A. Personification
B. Simile
C. Direct characterization
D. Indirect characterization
Throughout your course, you can easily take this discussion further by asking more thought-provoking questions, such as
  • Why does Doyle use direct characterization at some points in the novel and indirect characterization at others?
  • How is the character indirectly revealed throughout the course of the novel? Consider both the character's speech and actions.
  • Which method of characterization is more effective when revealing complex characters? Cite examples from the text to support your position.
Encourage students to see the many benefits of understanding and actively considering the function of literary elements when they read fiction. The ultimate goal, of course, is for students to apply their knowledge of literary elements to help assess and respond to a variety of texts with relative comfort and a degree of authority.

How to analyse a Literary work ?

Writing a literary analysis is a feat of close reading, insight, and creativity. Some required technical writing elements are explained in this article.

Above all else, writing a literary analysis requires the writer to have a thorough understanding of the elements of the story, poem, or novel being analyzed. This might sound obvious, but students often try to begin writing an assigned analysis before they have fully comprehended and thought about the subject of that analysis.

Read for Literal Understanding

Before "interpreting" the story and trying to analyze it, the writer must fully understand the literal events. In other words, the reader should not interpret the story before knowing the story. Some plots are complicated, and interesting characters are complex. The reader should have a thorough understanding of the plot and a good sense of each character. Only then can the reader write about the literary piece.

Questions to Ask Before Writing a Literary Analysis

The events in a literary story happen to a particular character in particular circumstances. Analyzing the story requires that the reader is very aware of these particulars. Writing a literary analysis requires the reader to ask and answer several questions. The big question to answer is: How and why did this particular character, in these particular circumstances, respond to and/or cause these particular events?

o answer that question, ask these:
  • What happens in this story, and who does it happen to?
  • What does the main character want?
  • What is getting in the way of the character getting what he or she wants?
  • What are the opposing forces, or conflict in the story?
  • Is the opposing force nature?
  • Is it another character?
  • Is it society?
  • Is it something within the character?
  • How does the character try to overcome the obstacle?
  • Why does the character fail or succeed?

Interpreting the Story

Once the reader can answer the questions above, interpretation becomes possible. An analysis is really an interpretation of the story, based on an intricate understanding of the elements of the story.
Knowing the conflict and how the character creates or reacts to that conflict, the reader can begin to analyze that character: is the character flawed? How? What are the character's strengths? Most literary characters are ambiguous; that is, they have more than one motive or conflicting desires. This makes them interesting, and is often a good subject to analyze.

Little Do's and Don'ts

Certain conventions must be followed, in writing the analysis:
  • Do not retell the story; interpret the story.
  • Do not go into unnecessary detail; only use details that clarify this interpretation.
  • Use the story's time frame for writing the analysis. Most of the analysis will be in present tense.
  • Order the analysis logically, not chronologically.

Finding the Truth of the Story

A truly literary story - or poem - has its own intrinsic truth. By truth, this writer does not mean some idea that is true for all people, but an idea that is consistent and works as an operating idea for that story.
For example, in James Joyce's story, "Eveline," it is true that the forces against changing Eveline's circumstances are stronger than the forces for changing her circumstances. This truth is ultimately what determines the outcome of that story. An analysis of the story would discuss in detail the forces that keep Eveline from changing her circumstances.
To find the 'truth' of the story, the reader needs to analyze the events in the story: How did the character cause these events to happen -- or not to happen? What is it about the character that led to the particular outcome of the story? This is the real essence of the story.

The Joy of Understanding

Successfully analyzing a story, and conveying one's deep and coherent understanding of the characters and their situation, can be a very rewarding intellectual experience. But it cannot come without a sincere interest in and understanding of the story.